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If you want to be a working artist, you have to sell art: a review of 'Sellout' by Dan Ozzi - The Bookends Review
Perhaps no one has phrased this better than Michael Burkett, also known as “Fat Mike,” the lead singer of NOFX and co-founder of the San Francisco-based indie label Fat Wreck Chords. “I signed a fucking band; I didn’t sign an artist!” Fat Mike is quoted as saying in the last chapter of Dan Ozzi’s book Sellout: The Major-Label Feeding Frenzy that Swept Punk, Emo, and Hardcore (1994-2007). “If I’m gonna give you hundreds of thousands of dollars, help me sell the fucking records!” The punk singer and businessman is describing his frustration with Against Me! (the Florida band known for songs like Sink, Florida, Sink and Baby, I’m an Anarchist!) and their choice of album artwork for Former Clarity, featuring a black and white photograph of a single palm tree, which according to Fat Mike, was not a cover that would sell records. Sellout follows an arc, tracing the entire swell of the pop punk and emo wave during the late 90s and 2000s, taking the reader from Green Day opening for Operation Ivy in Oakland at the legendary straight edge venue 924 Gilman Street, through skate parks and Blink 182 streaking through LA, to Alternative Press covers, the MySpace continue...
Jordan Blum