Abiquiu, New Mexico
I return to Leopoldo Garcia’s home gallery
where, this damp morning-glory morning,
he wears overalls and one tennis shoe.
Yesterday his litany of augurs, acrylic and clay
flowed like red nectar. Hummingbird
in his studio, I bring a gift of poems.
Leopoldo paints with a hole in his heart
pierced by a priest darker than a cassock.
He grieves for the children gone forever,
mica tears grafted on flat masks, tiny
eyes, round mouths. Nearby his studio
a weathered red and white figure…
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I see him during the day. His back to the street, on the edge of the curb, he’s positioned as far from the building as he can be while still under the scaffolding. On sunny days the wooden planks shield him from the heat. When it rains he moves inward, far enough to protect himself from getting drenched, but not so far as to disturb passersby. There are two battered shopping carts beside him, each filled to the brim with obscure items wrapped in plastic bags. He’s dressed in black, layered according to the dictates of weather. Often I see him comfortably seated in a chair. Sometimes he’s reading a book. At mealtimes, he unfolds a small table, places plates and utensils, and eats. He doesn’t look at me when I walk by, doesn’t solicit, doesn’t confront.…
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Our summer was as the city’s. Beautiful and provisional. The river looked beautiful and seemed to glow in the Sun’s light. I followed the river’s flow with my eyes until I couldn’t any longer, losing it to the horizon. It looked as if it eventually met with the Sun at the horizon. The bridge loomed up ahead, tucked under a seemingly cloudless blue blanket. The sky’s eye appeared to look at us like a concerned parent, watching us as we made our way towards the steps that would ascend us to the bridge.
“How’s it look?” She spoke almost excitedly. “Beautiful.”
“Am I?”
“Are you what?”
“Beautiful.” She now stopped and looked at me. She looked gorgeous even though she was veiled with a hat and sunglasses.…
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Cristina Deptula is the executive editor of Synchronized Chaos Magazine. A former science and technology journalist, she enjoys discovering how people think and how the universe works. When not writing or editing, she loves to hike, read novels, and sip coffee.
Please describe your website and your duties as editor/writer.
Synchronized Chaos Magazine accepts submissions of writing and visual art of all genres from around the world. We then determine the theme for each month based on what we have received, tying all the submissions together into some sort of cohesive theme. While this has on occasion required some creativity, it has also brought our team together as we brainstorm and encouraged the contributors to come back to the site and read everyone else’s work.…
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12/21/16 @ 11:28 a.m.
I walk my dog
Through liquid air
Miniscule droplets
Pelt my forehead
As I make my rounds
Of the parking lot
The winter solstice
Less than a day old Only yesterday
The morning sky
Not quite fulfilling
Wakefulness Yesterday
…………………………………………………………………………..The shortest
The sky Of the year
Blue-gray
With a tinge of white
At the border At the horizon
Like an artist’s canvass
Not quite ready
Prepared
Flat
Waiting
…
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In search of light and love and lost time,
the months are flying by
faster than either of us imagined.
Loneliness speeds us to the grave
more surely thandisease,
yet we remain impotent in the face of it.
Try as we might to cling to the past
and each other, the present
has a proclivity for mass murder.
Wind swept and shell-shocked, we stand
on differentshore lines
ineluctably alone, defying the odds.
Our fates inextricably bound, written
by fear and solitude,
unerringly devoted, waiting around to die.
– Mark A. Murphy…
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Life carries us through various stages of maturity like a ship transporting passengers from one location to another. External situations and struggles shape the individual, unearthing truths and revelations about the self in relation to those situations and struggles. Sexuality and physical desire are just two of many other unearthed revelations that can make themselves known throughout our lives, dug up, as it were, as we traverse the overgrown path of life. With these two revelations, others can be planted and given a chance to grow. In Marguerite Duras’ novel The Lover, sexuality is used to illustrate the narrator’s journey into adulthood. This journey reveals the narrator’s complex passionate desires and illustrates how her external circumstances unearth deeper, hidden truths about herself and her family.…
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