By Jordan Blum & RW Spryszak
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RW Spryszak is Editor at Large at Thrice Fiction and Thrice Publishing. He’s been a creative writer for several decades, with a special interest in alternative/surrealist/outsider writing and zines. His first novel, Edju, was published last September and may or may not be “the first pulse of a trilogy.”
In this episode of Cover to Cover with
– RW Spryszak
By Alexis Shanley
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Amy Bloom’s latest novel, White Houses, is a work of historical fiction that recreates the love affair between Eleanor Roosevelt and journalist Lorena Hickok. The novel is told from Lorena’s perspective and spans decades, encompassing everything from her abusive childhood in South Dakota to her time spent living in the White House (and ultimately finds her in her elderly years). Lorena makes a witty, charismatic narrator, and her relationship with Eleanor seems built on a mutual respect for each other’s strength. As a result, White Houses is a charming and tender depiction of middle-aged love, and Bloom captures the gamut of emotions—everything from rapture to pain—that accompanies growing older with someone.
Lorena’s childhood in South Dakota informs facets of her relationship with Eleanor, and this section proves to be one of the most moving and vivid parts of the novel.…
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By Alexis Shanley
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Tom Perrotta’s latest novel, Mrs. Fletcher, involves a lot of porn and sexual adventure, but that’s not to say it’s lacking in heart. Beneath the more sensational parts of the book is a story about embracing the fluidity of your identity and giving yourself the freedom to change.
The first part of the novel cuts between the titular character of Eve Fletcher—a single mother in her mid-forties—and her son Brendan during a major transitory period in both of their lives. Brendan leaves home for his first year of college, and Eve is alone for the first time. In her son’s absence, she is left to reexamine her choices. Her newfound independence becomes the impetus for her awakening sexually, intellectually, and socially. Specifically, she becomes transfixed by lesbian porn sites and starts seeing the scenes of her life through the lens of porn scenarios.…
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By Alexis Shanley
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Absence populates Rachel Khong’s stellar debut novel, Goodbye, Vitamin. It’s a book about the absence of reliable memories, the absence of people you thought were permanent, and the absence of self-understanding. It’s about the memories that follow and haunt you, and the ones that only leave behind traces of themselves, their negative space haunting you all the same.
When we meet our narrator Ruth, she’s in her thirties and the life she envisioned for herself is in shambles. Her fiancé broke up with her on the day she thought they were moving in together. If that weren’t enough, she’s dispassionate about her job and her father, Howard, has Alzheimer’s disease, which is getting progressively worse. Everything she thought she could depend on has been upended.…
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By Alexis Shanley
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Anyone who saw me reading Things We Lost in the Fire in public must have thought I was suffering and in deep pain. Every story in Mariana Enriquez’s debut collection had me grimacing and squirming, shifting uncomfortably in my seat. But her stories are so thoroughly transporting that I lacked the self-awareness to care. I was far away in Argentina, worried about the news of the decapitated child flashing across the television screen, and the one-armed girl who went missing in a haunted house, and on a murder tour of Buenos Aires. Enriquez’s stories all center around life in Argentina, often detailing the lives of disadvantaged youth. These stories are dark and unsettling, written so beautifully that the whole experience of reading them leaves you in a macabre trance.…
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By Jordan Blum
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And I always wake up screaming, don’t you? I will always remember the screaming. And, if this doesn’t bother you? I’m not imposing myself on you, am I? After all, you were there. You remember, don’t you?
– Harold Abramowitz, ‘Blind Spot’
Indie art usually—if not always—strikes an interesting balance between commercial success, critical appraisal, and creative liberty. By its nature, it’s unlikely to ever reach mainstream audiences and find widespread attention, yet what it lacks in popularity and marketability, it radiates in boundless experimentation, unhindered, often vital perspectives, and invaluable insider appreciation. This is true of music, film, television, video games, and, perhaps most overtly, of literature, where countless writers and presses are challenging conventions every day. One of the most notable examples is CCM (Civil Coping Mechanisms), a publisher whose staff and roster relish every opportunity to subvert expectations with affective and atypical works.…
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