Sometimes when I close my eyes
The landscape dissolves
And I am two-thirds the wind
And one-third a boy in the city.
You will find me among
The high-rises hiding leaves
In dim-lit corners,
Pulling the fire-alarms
And filling the halls
With painted flames.
You’d be scared
If they weren’t the color
Of bad ideas,
The ill-planned blues
That are easily distinguishable
From real ceruleans.
But still, plastic or not,
I am incredibly happy.
Beneath these trees
I never accomplish anything,
And I haven’t moved
In thirty years.
– Seth Jani…
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My morning run GoFunds my soul.
A nighthawk calls from a roadside bush
quieting my muddled brain.
An owl hoots from a distant woods
drawing me into the present, in time to spot
a deer emerging from a cornfield,
a rabbit racing down the side of the road.
Fog settles in, providing inner calm.
Physically spent, spiritually rejuvenated,
I can now try to face the morning newspaper so that
the confluence of headlines becomes palatable.
U.S. to spend 1.8 billion on nukes
Experts offer tips on avoiding injuries
while conducting your fall clean-up
9,000 Syrian civilians killed in the last year
When is too early to decorate for autumn?
National Guard called out to end Lakota ceremonies
surrounding pipeline protest
But disbelief, sadness, and anger build,
and then are assuaged by working with animals at the rehab center
and penning letters to Congress.…
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Emptiness eats at the heart, more surely than time itself,
yet some days we are blessed with company
enabling us to see just beyond the emaciated self.
Though the day ahead seems barren, a friend
will sometimes bring along all the light you lack to coast
above the dour grey slates and chimney pots.
So we make our soup of fresh tomatoes and basil
in the garret kitchen, and the knots in the stomach
loosen their grip as we make ready to eat and talk.
No time now for last year’s man, or any lost inventory
of sights not seen, things not done, time wasted
in procrastination, or dreams hardly begun.
And though we are still both dreamers of sorts,
we stand beside immense facades, telling the other
there is no need for touch, or sex, or love.…
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Of course I’ve noticed
how you’re drawn to
what you call my
wounds symmetry
doesn’t beckon the eye
no— disruption &
disorder a lopsidedness
reminding you you are
dreaming the rest of
your life asleep in
expectation until a
patch of bark shows
you a swirl & a
swelling about a gap
that once was
wholeness my
surface wavy like old
glass the slow
assemblage of cells
moving in to cover &
protect rippling up the
roughened river new
growth a whirlpool
whose center narrows
by season & I know
you want nothing
more than to stick your
hand into this soft-
edged opening to feel
reparation what we
trees are go ahead
touch me & awaken
to doubt
– Mary Buchinger…
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Names. You’ve got this thing with them. The names of plants, rocks, native species. Concrete details have become a favorite pastime.
Vehicles, clouds, chemical compounds.
You file names away in no particular order but know right where they are when you need them. And you will. Need them.
Architecture, muscles, functions.…
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Hope slips through fingers
like time spent waiting
often just a tick ahead,
visible, but elusive.
Or it hangs back like a stopped clock
no longer viable.
Hope survives fire, preserved
beneath blackened structures
housing every possession.
It resides beneath blankets
of the terminally ill until handfuls of dirt
hit casket lids.
It drips down the sides of chilled
liquor bottles and heroine needles
passing through moments, days, years of addiction.…
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Abiquiu, New Mexico
I return to Leopoldo Garcia’s home gallery
where, this damp morning-glory morning,
he wears overalls and one tennis shoe.
Yesterday his litany of augurs, acrylic and clay
flowed like red nectar. Hummingbird
in his studio, I bring a gift of poems.
Leopoldo paints with a hole in his heart
pierced by a priest darker than a cassock.
He grieves for the children gone forever,
mica tears grafted on flat masks, tiny
eyes, round mouths. Nearby his studio
a weathered red and white figure…
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