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Robert S. King – Built on Bones

Built on Bones

I have always lived by the laws of flesh
shrinking tighter and shorter each hour.
Now Ive nothing to lose but cracking skin.
Yet curiosity stretches wider, too strong an itch.
In liquid imagination, I swan dive into
the pool of my widest eye, splash down
into the vast blue ocean of mind,
wash my bones back to the civilized shore,
where those awaiting my last breath
pick the marrow clean.

On their solid beachhead, my skeleton
has no heart, only a hard brotherhood,
where nothing more than hollow bones
lean against one another
and begin to crack.

- Robert S. King

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Howard Waldman – Christmas Trees at Dawn

Christmas Trees at Dawn

 

The children finally fell asleep. The parents tip-toed to the closet,
unlocked the presents and positioned them under the tree with its
delicate glass balls and constellations of colored lights. Alongside it the
window framed the big oak in the garde n with the children’s swing.
Faint stars shone between the black branches. No danger of a white
Christmas, the children’s wish. The children thought in terms of
snowmen, not of fatal skids. The parents finished the second bottle of
champagne and went, unsteadily, to bed.

The wind woke them briefly at 2:36. At 3:18 he mumbled: “Blowing
hard.” At dawn the house shook them stark awake. In the grey light
outside they saw that the big oak with the swing had fallen a few yards
from the house, a chaos of broken branches. The gale blowing a few
degrees more south-west and the tree would have swivelled on its taproot
like a fair-ground wheel of fortune and sent its tons on the roof.
Decapitated pines cowered and whined. The house groaned. The noise
almost covered the boy’s wails.

They groped their way toward the wails, she crying, “It’s all right,
everything’s all right, we’re here.”

In the living room the tree stood unlighted but intact, the colored balls
reflecting minimized versions of the chaos outside. Busy with their
presents the children didn’t look up. The boy had gone impatiently from
package to package, in a welter of gay gift wrapping paper and was now
pushing the fire engine, imitating its wail. The little girl had stopped at
the first package and had already set up the doll’s house. She positioned
the fourth chair at the table in the miniature living room: perfect order.

- Howard Waldman 

*This piece originally appeared in the December 2006 issue of Twisted Tongue.

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Matthew Dexter – The Man in the Bowl

The Man in the Bowl

We were in Rocky Point smoking rocks when Morgan jumped from the balcony. He
had this perfect running start from atop the bed and his inertia was enough so that all we
could salvage was his Hawaiian shirt. I clutched that cotton in my fist for hours. His
summersault was faultless, and he was smiling. Two seconds into his heroic leap, his skull
smashed against the sand-strewn concrete beside the ATV rental palapa. Being sunrise,
the blood was dripping tangerine and purple toward the beach and a crowd of
expressionless Mexicans huddled around the corpse.

¨Pinche pendejo güey!¨ locals said.

The policía paraded us through the streets. It was beautiful. Morgan with his head
cracked like a huevo ranchero, seasoned with ethereal leisure. Nobody said anything as
they picked up the chunks. Then they beat us piñata style, with bloody batons, until we
were handcuffed, wrestled into the backseat of a decrepit chariot next to a man who has
been arrested for doing cocaine in a cantina. Continue Reading »

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Julie Shavin – Ambrosia

Ambrosia

“Western wind, when will thou blow
The small rain down can rain?

Christ! If my love were in my arms,
And I in my bed again.”

- Anonymous

Beyond the lamp-lit room is a plangent rain
rescuing trees from their near-drought dyings
and I ponder the thousands of nights
of our separate sibilant lyings.

The western wind that now does blow
that down this rain may rain
blows not for us or too much so
shuttling shuttered pain.

Through colorful rooms we pass and greet
snug from the night’s down-pouring
twined in un-twinned dreams
anchored in our unmoorings.

The thirsty grass and withered stalks
exalt the liquid ambrosia
while in dry and sighing rooms
we unmake our beds of roses.

Yet the steady mizzle is a stalwart hand
its rhythm a reminder
of the numbered thrum of dusks and dawns
which each of us is tendered

and, easing a bit speaks in treacle tones
as fissures mind their mending –
of hopes like rivers, and down river beds,
of the ends of beginnings of endings.

- Julie Shavin

Author’s Note:

“Ambrosia” is about a troubled marriage, and one of very few poems in which I
use rhyme. Each room in the house is a different color, and in the poem is meant
to contrast with the grey/black state of the marriage. There is a parallel
(unspoken) between the drought in the marriage and living in a  chronically
drought-ridden geographical setting in which it rains (very rarely) July to
September, but that’s all. The turn, of course, begins with the word “Yet,” in
which the poet reminds herself that life is short, and that perhaps there is
hope, that every ending may (or may not) imply a beginning.

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Kate Healey – Gendered Death

Gendered Death

There is a tremendous amount of ‘seeing -to’ that our male counterparts never
experience.

The terrifying and sacred moments of intimacy that daughters endure and
subsequently cherish; the anointment into womanhood with the blood of
our predecessors.

My cousin, James, was steadfast and sensitive, concerned and sweet, always.

“It is hard to see Nan like this”, he confided in me on the porch, turning his head from
the May sun and my eyes.

I nodded, “I know, bud.”

And I did know.

I knew the tenacity it required to even kiss my grandmother hello without weeping.

………..To his credit, I have seen James carry an infant’s coffin on his nineteen year old

shoulder, and that is a weight which I will never know.

He will never know the weight of caring for someone,

the ache of being the maker of meeting ends,

the reader of omens and omissions.

James will never know the weight of carrying a living body from room to room,
weaving together the fragments of a routine from scraps of frivolous matters to
create a semblance of what was once her life.

He will only know what comes after the slow march towards death.

As attuned to the universe as he is, James will only know how to carry the
physical manifestation of our failed efforts to sustain she who always has
sustained us.

- Kate Healey

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Howard Waldman – Papy on the River

Papy on the River

“It’s summer again, Papy,” we yelled in his ear. “Where to this time?”

Every June 21, his birthday, it was the same thing. Most of the time
we didn’t get through or when we did we couldn’t understand him and
we’d wheel him around the park, telling him what the flowers and the
sky looked like.

This time he said “B-bordel” and we laughed and poked him, very
gently, and yelled, “Where else do you want to go, Papy?” After a
while he said, “C-craix. B-boat.” He used to talk about it years ago
when he could still talk: young, stripped to the waist in the sunshine,
drifting past nice things. That was way back, before the war.

So we placed him in a rowboat at Craix. He sat between us, bundled
up, blinking behind his thick useless glasses. He looked happy as the
boat drifted, along with belly-up breams, oil-slicks and plastic bags,
past cement-works, scrap-heaps and run-down council houses. We
yelled at him the things we remembered from his memories: banks
bristling with fishing poles, wheat fields with poppies, neat kitchen
gardens, couples dancing in the riverside café under the garlands. The
blue sky was no invention. He kept saying, “N-nice, n-nice.”

We brought him back to the Home. We yelled in his ear, “Enjoy
yourself, Papy?” He processed it and said, “N-nice, n-nice g-girls, nnice,
n-nice g-girls.” Drifting down the river he hadn’t heard us. He’d
been to the bordel after all. Maybe we should have taken him there for
real. The girls are renewed, not like the river. But I guess outside
things don’t matter much if you can’t see them and if you’re able to
hold on to the way they’d been.

Note: This piece originally appeared in the July 2006 issue of Gold Dust

- Howard Waldman

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Raven Heroux – Training Wheels

Training Wheels

The first time you get on a bike is an exhilarating and debilitating experience, and in this
regard so is your first real relationship—which does not include sitting next to your crush at
lunch in the 6th grade and sharing a bag of Vinegar Lays, which you abhor. It’s the
obnoxious giggly conversations about classes and professors you don’t care about and
movies that you saw that one time, vaguely, maybe only half of it—this is you placing
your feet on the pedals and kicking off for the first time. Once you kick off, you’re
conscious that this is the one and only time you can feel the thrill of your first bike ride—
and the terror that follows as you realize you can’t keep rehashing the same conversations.
You know you need to ask him to watch a movie with you—because, let’s face it, he’s too
dense to ask you himself. Continue Reading »

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