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Cara Schiff – The Ballad of Stephanie’s Tumor

The Ballad of Stephanie’s Tumor

Before she wants to leave, life goes.
She dies a shrinking death.
Alone, asleep, no one comes close.
A tube gives her last breath.

One more walk, more vitamins, more pain
and she’d be here still– alive.
But every healthy act in vain.
Her wish: do not revive.

A quiet explosion scorched her cells.
Dividing tumor, too fast.
Her lips like broken shells
and face a sunken mask.

Hair gone and shivering in the sun
her skin as smooth as stone
she said, “Though chemo was fun,
I’m ready to be gone.”

Her lover on a plastic chair,
his hand strokes paper skin.
He’d fight to death if he could scare
the tumor from within.

One more walk, more vitamins, more pain
and she’d be here still– alive.
But every healthy act in vain.
Her wish: do not revive.

- Cara Schiff

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Julie Shavin – Against the Air

Against the Air

Consider the embryo.
no limbs at first, oval,
translucent, watery comma
not a sapling stick,
more, its rain-soaked seed.

You said they were all boys,
—-those minuscule dead possibilities
swirling in a dark dysfunctional womb.
They had to be,
as females are stronger.

Not quite convinced,
—-I dreamed pink party dresses,
tutus, first solo rides
—–on two wheels, giddy swimmers
adoring the ocean, sun, sand.
I saw castle upon castle.

The first “birthed” in the john.
—-We looked for something with which
to fish it (him?) out – hospital’s orders.
Human, they said, and stuck me in a hallway
—-to bleed alone for half a day.

The second time, my mother visited,
—–but was uncomfortable with such despair,
———could not gather herself
fully into a chair.
—-I sent her away
she thanked me.

The third time I adopted the basement
——for weeks, avoiding light, sound, solace.
I had to alone with ….my son?
——-He was the best of company,
both of us leaving, leaving.

My dead sons are three.
—–Sometimes I ponder them shrimp-like,
——pulsing, suddenly still.
But mostly, I think of them as trees,
—–no longer seed, but thick with trunk.
Leaves unfurl: hands, roots, their feet,
—–their maturings secret as concentric rings.

I know my boys best when branches
—-bend in the breeze –
not wholly here, not wholly there,
—-but their tiny issue in the cosmos,
somewhere –
in the air, on the air, against the air.

Author’s Note:

“Against the Air” was written after 3 miscarriages in five years. I had always been haunted as to the gender of the babies I had lost; years later, my husband informed me they must have all been boys. I had a chronic illness, and had had to choose between career and family. I chose family, but building it was not so easy. He felt that females would have survived, despite my body’s dysfunction.

- Julie Shavin

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Matthew Dexter – Home Depot

Home Depot

They are piling leaves and dirt from the desert and all day we watch from the
hospital out this window with this view of the hill and the saguaros and these men with
seven arms shoveling the fallen earth into ashy pyramids. Every now and then these
workers will look at the sky and shake their rakes toward the cumulonimbus. We wait in
the locked room till the doctors can decide what to do with us. We have already convinced
the psychiatrist of something.

The nurses are peering through the rectangular glass. They check our piss, ask the
simple questions: Where are you, what is your name, phone number? Why is your face
covered in paint?

We must have messed something attempting to go the extra mile. These things
happen when you get locked up. Manic emergency room visits are the worst. Usually they
only keep us behind the triage curtain and learn that we have no insurance so there is no
reason to hold us. Now things are different. You never know what the slow brains of the
employees are thinking. Continue Reading »

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Maureen Kingston – Filling Out the Form–Is it And or Or? A Bureaucrat’s Snapshots of Romance

Filling Out the Form–Is it And or Or? A Bureaucrat’s Snapshots of Romance

The Young Mother

Both can’t take time off to have the car inspected, so one must answer for the other.
Only sometimes, now and then, I decide. Like this morning. For the young mother with
the newborn and the toddler ramming his car into the counter grout. Her husband’s
been harvesting for three days straight, she tells me. In the middle of the night he’d left
a note scribbled on a donut sack: Get the Ford inspected, it said. She hands me the
paper-stuffed sack. What she doesn’t say–maybe can’t say–is that she’s desperate for a
break from her babies. A quick shower. A nap. I write or between their names on the
inspection form. I ask beforehand, do my clerk duty, but she doesn’t hear. And I worry
about her driving home, worry she’ll nod off on some shoulderless gravel road.

Mister

The noon hour. Mister comes prepared. The out-of-state title neatly folded with receipts
from last weekend’s car auction in Omaha. He tells me or before I’ve even pulled the
form from the drawer. I recognize this level of efficiency. It means he has a black suit in
his closet at home. In dry-cleaner’s plastic with a white shirt and tie. Probably an
emergency kit and flares in his trunk too. And anything else he can think of in advance
that will make her life easier if he’s suddenly struck dumb. Or worse. On the way to the
parking lot he leapfrogs in front of me –seems embarrassed not to have thought of it sooner drags his thumb through the dust on the windshield so I can better read the 17-digit VIN. The gesture so reminds me of my own husband that I choke up for a second–can’t read the number anyhow.

The Newlyweds

Friday afternoon. Five minutes before closing. Mr. and Mrs. come in to register a gifted
used car from his parents. I gather from their conversation that her parents had done
the same thing. And I envy their new relationship–nothing yet broken or broke-down.
Ungouged by parental deaths. Resentments still larval. In whose name or names would
you like it? I ask. He spells out his name. Just his name. She explains to his back that
she’d registered her parents’ gift in both their names. When he says nothing she solicits
my help: Which way do you think it oughta go? I’ve been snagged by this tripwire
before. Not my call, I say, avoiding eye contact. What I really want to say is, Quit it, the
both of you. Power plays are a waste of time. Go home. Make love while your knees are
still good. But I don’t say a word.

One of the “New Economy” Boys

They’re all recently unemployed. Moved back home from far and wide. Dependent again
on mom and dad. In debt to girlfriends. Shell-shocked. Mostly young and middleaged,
rich and poor–their problems far beyond any issue of and or or. Today’s specimen is from
a wealthy family. His surname’s carved into practically every building in town. He
breezes in wearing loafers without socks, designer sunglasses atop his head, well-
groomed brows. It’s been so long since I’ve seen eastern prep I flat-out gawk. The
Connecticut title indicates an or between his name and his wife’s, but he says he
wants the new Nebraska title to be in his name alone. His tone is so sharp I
involuntarily glance up, see in an instant what he doesn’t want me or anyone
else to see–that losing his job has cost him a wife.

- Maureen Kingston

 Authror’s Note:

The simple act of filling out forms can often trigger unexpected emotional responses.  With some forms or documents we anticipate high anxiety; when signing a will, for instance, or purchasing a home. Buying a car? Usually our eyes are so focused on the prize of driving that we hardly give the paperwork a second thought except to consider it a headache, an annoying means to a more glittering end. And yet it is often the first time, beyond our parents, we’re officially confronted with the question of relationship: What or who is she to me? Can he stand-in for me? What happens if we break up? This piece explores a seemingly mundane bureaucratic moment that catches many of us off-guard.

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Kate Healey – Detroit, 1932

Detroit, 1932

There is a profound depth to you,
your irises ebb out towards me,
from above those arrow head cheekbones,
sublime in their listlessness,
infinitely vast and achingly familiar.

Swaddling my head,
like smoke levitating against the ceiling, is your voice.
A voice like bourbon,
encompassing my ear drums.
Obliviously I gravitate towards you,
only to be disarmed and overwhelmed
by the visceral reaction I have to you,
and the fragility of our connection,
the absolute complementary juxtaposition we constantly demonstrate is aweinducing.

Formally I know nothing of you,
but I know your soul so well,
for it is a fragment of my own,
splintered from the the continuum of consciousness,
a relic from a past life that I am certain that we shared.

- Kate Healey

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John Grey – Vow

Vow

Thought over it
as rain piled on…
the roof, the windows, everything…
considered pure refusal,
the remnants of my energy,
as rain reached out,
tormented my reverberating psyche…
there was repent the carnal alley ways
or bathe more often,
or stop lapping up snow-melt with my tongue,
or give the tanned young man in my head
the tattered family Bible,
that he might someday spray his altars
with fine jasmine or unadulterated piss -
but then I figured coldness
was my only mercy,
black clouds that swamp my head
bursting, going with the rain…
fact is, I cannot
though I have,
I must not,
though I should…
through mud, through scrubby hills,
through the door of friends
and out the door of strangers…
no more feeling that isn’t
fingers on my chin,
no looking further than the walls
of the room I’m in…
damn rain, I’m staring through the window pane,
it’s all reflection with runny eyes and nose,
surprised to meet a man of my shrunken dimension
I vow to never think of her,
to shoot first, speak less,
take money where I find it,
and soon enough the rain will stop,
sky clear, maybe even warm up a little just
enough so I need not vow again…
spend my last years
blistered on the beach

- John Grey

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Cara Schiff – Memory, The Body

Memory, The Body

The body cannot forget.
Shoulders slump to protect.
What’s left to regret?

Rolls of flesh beset
her bones. Armor to deflect.
The body cannot forget.

The toxins leach in sweat.
Pills leave lips spit-flecked.
What’s left to regret?

Each touch tallies against a debt.
Her skin numbs with neglect.
The body cannot forget.

Fingers stick to a cigarette,
yellow chemical and man intersect.
What’s left to regret?

To medicate hides the threat
of the memory a body can collect.
The body cannot forget
what’s left to regret

- Cara Schiff

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