The Songs You Sing Before the Service Ends

By Allie Stewart

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On my grandma’s last birthday, I brought her a scoop of vanilla ice cream. She told me to come back the next day with more ice cream, as I had forgotten her real birthday and celebrated a day too early. I knew for a fact that her birthday that year was on Christmas Day, as it had been every year since 1926. I blamed this episode on her worsening dementia. Regardless, I decided to try again the next day, with a hopeful scoop of ice cream and an even more hopeful attempt at convincing my geriatric grandmother that it was, in fact, her birthday. Four days later and many more naive scoops of ice cream later, I realized my grandmother’s dementia might have made her a genius.…

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Airport Security and Other Stories

By Zara Shams

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is the title of the book my father
intends to write when he grows up.

It is a hoax, of course;
there will be no other stories

just three hundred and fifty pages
of encounters with the TSA
      since 2001
and other, better men.

This is what I tell you
in a coffee shop on Wardour St.

It is one of several things I take for granted
that we already have in common.

You tell me your birthday,
Miami International Airport,

you are as much your father’s son as I am
      all daughter.

– Zara Shams

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Unusual Duets

By Thomas Calder

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I’ve never actually listened to Pink Floyd’s The Dark Side of the Moon. Nevertheless, the 1973 album made a lasting impression on me starting in the mid-90s. That’s when “MTV News” host Kurt Loder reported the music’s surprising synchronicity with the 1939 film The Wizard of Oz.

We were still on dial-up at this point. No one downloaded (much less streamed) albums and movies. With neither the music nor the film available to me, I simply marveled at the notion that two works—separated by decades—could be brought together by the happy, accidental discovery of a (probably stoned) fan.

Even now, with the internet at my fingertips, I have yet to test the Pink Floyd/Wizard of Oz theory. I worry the reality will never match my childhood reverie.…

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Life’s a Play

By Ron Torrence

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shadows
slant our stage

actors
await their cues

the director
weaves
sleights of hand

innuendos

deceptions

lamentations

tales of unrequited loves

wars won lost

brewed with heartbreak
touches of joy

stirred violently
 entrance of kings

close

long gray lines
plowing merciless fields

end

empty stage

old folks
sitting
in
sheds

w
a
i
t
i
n
g

– Ron Torrence



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Perception

By Tara Menon

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A curtain shifts slightly to the right and a woman, freshly bathed, blond hair coiffed, a cigarette in her slim hand, watches a dark man walk slowly as if he has all the time in the world. He peers carefully into the garage of another residence, six houses away down the street. He looks at a couple of recently acquired antique cars that reek of paint. After he studies them for a long time, he gazes at the Mercedes parked on the next driveway. He continues walking and pauses to glance at a three-car garage, a new addition to what used to be a Colonial, but is now an elegant pillared residence. The raised garage door reveals a Saab and junk: wires and cables and boxes. …

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My Confession

By Jake Morrill

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You’re wanting to know about the crucified squirrel. But first, here’s what happened to my Christmas lights.

I lived in Iowa City, in a second-floor walk-up over Iowa Ave. Without any warning, November was here. Late fall in the Midwest is like if the planet Venus ends up shoved to the back of the fridge with the celery and other things nobody wants until it gets soft and bruised, and then what do you do? You don’t want it. You can’t throw it away. The interminable winter had not yet arrived, but already people walked the streets with a look of surrender. The sun would sort of give up and sink around noon. Then, for hours, it would rain flecks of ice. I decided to take things into my own hands.…

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A Spectrum of Neurodiversity: A Review of Madeleine Ryan’s ‘A Room Called Earth’

By Allison Wall

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Madeleine Ryan – A Room Called Earth

One of the strengths of fiction is its ability to allow readers to live as another person. We not only move with characters through their time and space, but we also sense and feel with them. We learn more about what it means to be human—widening our experience of living—by reading novels. We practice the skill of empathy.

Australian writer Madeleine Ryan’s debut novel, A Room Called Earth (Penguin Books, 2020), offers a delightful and unique character for her readers, one that shocked me not by her strangeness, but by the extreme degree of relation and familiarity I felt for her.

A Room Called Earth follows an unnamed autistic woman getting ready for and attending a party. The events of the book take place in twenty-four hours or less, but the richness of the unnamed protagonist’s stream of consciousness taps infinity.…

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