The Bookends Review

– Sarah Louise Wilson…

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Many years ago, I replaced the mail slot in the front door of our family home and found a note wedged between the old frame and the door.  It was a note to my little sister Kate, left there a few months before by her boyfriend Bill.  She had known Bill since their high school days and they were inseparable.  They went to summer camps together and then enrolled in the same college to study English Literature.   They both returned home after college and took up teaching jobs in the local school.

All of us thought that they were going to get married.  Months went by.  I got the sense that they were somehow slowly drifting apart.  They saw each other less often, and Bill lost the characteristic bounce in his gait.   …

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How can someone atone for a sin they cannot name?

It was Yom Kippur. The four of us donned formal wear.
Mom was anxious & had to double-check the locks, making us late.
Dad yelled, cursing the heavens. Our annual ritual—
fasting, & then rushing out to Wendy’s at 4 o’clock to break.

How can someone atone for a sin they cannot name?

Among the crowded, ticketed, gussied-up masses,
we filed into pray, to atone
for our sins. I was 11, obediently taking in
the words of teshuva:

For transgressions against God, the Day of Atonement atones;
but for transgressions of
one human being against another,
the Day of Atonement does not atone
until they have made peace with one another.…

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Jillian Reese is sipping a venti Starbucks Green Tea Frappuccino on a bench in the Men’s Department of Nordstrom’s. So far, for the occasion of her fiancé’s return from a three-year deployment in Afghanistan, she hasn’t garnered the energy she needs to begin searching for something special to wear on the day she welcomes him home. Her plan is to continue sitting and sipping until inspiration strikes. 

Jillian practically grew up inside this store trailing behind her mother’s shoes. Brown snow boots with black fur trim in wintertime. Pastel, strappy sandals in the hot weather. When she was a child, department store mannequins looked different. Then, they looked like real people. Male mannequins in pleated shorts and short-sleeved golf shirts with muscled arms hanging relaxed by their thighs.…

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           In the hotel hallway, an old lover started to knock on my room’s door while my boyfriend writhed in bed, suffering from what may have been my mother’s deliberate attempt at poison. The soft but echoing tap overlapped with the former’s voice.

            “Laura. You there?”

            “Juan,” I said quietly, “Please. You must go.” I had pressed my face against the door, ear squeezed against it to speak as soft as I could. We were on the third of five floors, and in an awful spot where guests could gather. How my parents managed to get ahold of Juan in such a short time was beyond me.

            “Not without my confession first.”

            I groaned.

            And while he spoke, I rewound the day.…

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I met Jessica O’Dwyer when we were both MFA students at Antioch University in Los Angeles. I was immediately taken by her kind and giant heart—and her beautiful writing. I am not alone in my regard for Jessica and her work. Mother Mother: A Novel has received much deserved critical acclaim: it has been named the winner of the 2021 San Diego Book Association Awards in general fiction, a finalist of the 2021 National Indie Excellence Awards in general fiction, a Distinguished Favorite of the 2021 Independent Press Awards in women’s fiction and was awarded third place in the 2021 Feathered Quill Awards in literary fiction.

Mamalita: An Adoption Memoir, JessicaO’Dwyer’s powerful account of her family’s experience with international adoption, was named Winner of Best Memoir San Diego Book Publishing Awards in 2011 and one of the Top 5 Adoption Books by Adoptive Families Magazine in 2011.…

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Riding the elevator up to the seventh floor, Carl can smell the craziness getting stronger. What is the smell, exactly? He thinks it must be what animals pick up from terrified prey, a secretion that reeks of vulnerability, an invitation to attack. Then he wonders: is it coming from the psych ward, or from me?

The seventh-floor lobby is as small as he remembers, with off-white walls and a wide reinforced door. Carl takes a breath, presses the button next to the door, and presents his face to the camera overhead. A moment later he hears a sharp buzz. Beyond the door is a windowless waiting area: hard plastic seats against a long wall, a small reception desk, another reinforced door that leads directly into the ward.…

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