I hadn’t been there in decades and planned to speak
to the people who lived in it now.
A neighbor said it was vacant, sale pending.
A peaceful home full of the past,
set back from the road several hundred feet behind a serene lake.
I drove in beyond the tall trees, ones I helped plant as tiny seedlings, parked,
and walked around the outside.
My window was unlocked, close to the ground.
I climbed in.
Inside, memories crowded around me.
Long ago, seated comfortably on a deep, red, sectional sofa
in front of a window, as an only child,… ...continue reading
Joanna C. Valente is a human who lives in Brooklyn and is the author of Sirs & Madams (Aldrich Press, 2014), The Gods Are Dead (Deadly Chaps Press, 2015), Marys of the Sea (The Operating System, 2017), and Xenos (Agape Editions, 2016). She’s also the editor of A Shadow Map: An Anthology by Survivors of Sexual Assault (CCM, 2017). She received an MFA in writing at Sarah Lawrence College, and is the founder of Yes, Poetry, a managing editor for Luna Luna Magazine and Civil Coping Mechanisms, and an instructor at Brooklyn Poets. Some of their writing has appeared, or is forthcoming, in Brooklyn Magazine, Prelude, Apogee, Spork, The Feminist Wire, BUST, and elsewhere.
In this episode, Editor-in-Chief Jordan Blum sits down with Valente to discuss her writing history and inspirations, as well as her feelings on social media, the lit community, and even some pop culture stuff (like music, The Leftovers, and Twin Peaks).… ...continue reading
The best love poems are
about the possibility of flight,
the phases of the moon
the endless Arctic night, a ring found
in the melting snow in spring.
They are about a
chimera of lust,
the dust train tracks make
carrying refugees
to an uncertain future.… ...continue reading
After the annulment of light
In the stubborn kiln of winter
There is a beginning that hurts.
You hear it in the troubled cry
Spun from treetops,
In the muffled bending of trees
Cracking off the frost.
When you wander through the streets
Stunned by the bright emergence,
The wakened sunshine,
You start to remember
The endless colors of the world:
The Adriatic with its whitened dazzle,
Michelangelo’s angel-bitten blue,
All the faded shades of longing
In the remnants of the Roman Forum.… ...continue reading
I. Then & Foreshadow
Blank page, dredged out fish bone
not so different, containers of what will be
and was.
Fossils. Left impressions, vestiges
in sand and smoke, crumbs of old
mixed with new light and sound.
II. Now, with Breathing
The living telephone wire. A laugh
I just had with you
ran over by the impulse of a cycling dryer.
Back to bleach and white,
penciled spheres around words
from a Yellow Pages. I see Psychotherapy,
there is only one name.… ...continue reading
for Lucy
our hands extend,
these palms are wading pools –
the waters of God’s love. let
your spirit wade into our hands.
allow the still surface to flood
your soul. allow yourself
to bask in these holy shallows.
you are crying, and lovely.
you are smiling, and beautiful.
we look unto you, and love you,
as you shower in God’s graces.
– Joseph Dahut… ...continue reading
Joan Gelfand’s reviews, stories, and poetry are in many national and international literary journals, including Rattle, Prairie Schooner, Kalliope, California Quarterly, Toronto Review, Marsh Hawk Review, and Levure Litteraire. She’s the Development Chair of the Women’s National Book Association and a member of the National Book Critics Circle. She also blogs for the Huffington Post and coaches writers. You can find out more about her here, as well as support the campaign for her new novel, Fear to Shred, here.
Please describe your duties as editor/writer.
I am a full time writer who speaks at conferences on getting published and on poetry and video. I coach writers around the country. Once a month, I host the San Francisco Poetry Podcast show which airs on line on U–Verse. … ...continue reading